Life’s complicated and how we interact with one another can be complicated too. I represent the figure in my paintings with all it’s complexity either in how it relates to another figure in the painting or how it relates to an under painting.

In my mind we and the objects with which we share our space exist on several planes. I enjoy layering these planes, removing and highlighting aspects of each plane in an attempt to create a story.
Perhaps my story might be different from a story you may conjure by looking at how I've arranged these planes and their negative and positive space. That's fine. The point is that the painting conjures imagination.


Aberdeen Enterprise Trust Fayre, Aberdeen Music Hall, Aberdeen UK, November 1993

Aberdeen Artist Society Exhibition, Aberdeen Art Gallery, Aberdeen UK, May 1994

Deeside Art Exhibition, Banchory Scotland UK, July 1994

Glassell Student Exhibition, Juried Exhibition, Houston TX USA, June 2009

Lawndale Center, The Big Show, Juried Exhibition, Houston TX USA, July 2010

Art League Houston, Gambol, Juried Exhibition, Houston TX USA, November 2010

Glassell Student Exhibition, Juried Exhibition, Houston TX USA, June 2011

Salon des Refuses, Gallery M Squared, Houston TX USA, July 2011

Archway Gallery, 3rd Annual Juried Exhibition, Houston TX USA, July/August 2011

Second Annual SAO Select Exhibition, Tradition Bank, Houston Tx, September 2011

Visual Arts Alliance, Twenty-Ninth Juried Open Exhibition, Houston TX, May/June 2012

The Glassell School of Art, 2012 Annual Student Exhibition, Houston TX, June/July 2012


Glassell School of Art, Materials Scholarship 2010

Glassell School of Art, The Ary Stillman Scholarship 2012

Thursday, July 8, 2010

Peter 30" x 30" Acrylic on canvas. I chose a graphic image of Peter because I feel it removes us from the reality of the figure and I feel removed from Peter. He is not painted but represented. The ground is dark, mysterious because Peter is somewhat mysterious. He is mysterious but he has splashes of brilliance.
Chillies ( revisited) 4' x 4' acrylic on Canvas. I reworked this painting by removing the white chalk lines which I found distracting and reducing the intensity of the colour in order to add white highlights.